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Copyrights
Published in Uday S. Racherla, Intellectual Assets for Engineers and Scientists, 2018
The details of the copyrightable works in this category of are as follows: The class of pictorial works include—paintings, drawings, photographs, prints, art reproductions, maps, technical drawings, diagrams, applied art (i.e., two-dimensional pictorial artwork applied to a useful article), artistic crafts (e.g., textiles, table service patterns, wall plaques), online or digital artwork (e.g., computer-aided artwork, digital imaging, pixel art), and similar works.The class of graphical works also include—drawings, prints, art reproductions, maps, technical drawings, diagrams, applied art (i.e., two-dimensional graphic artwork applied to a useful article), artistic crafts (e.g., textiles, table service patterns, wall plaques), online or digital artwork (e.g., computer-aided artwork, digital imaging, pixel art), and similar works.Finally, the class of sculptural works include—sculptures, globes, models, applied art (i.e., three-dimensional artwork applied to a useful article), artistic crafts (e.g., jewelry, glassware, toys, dolls, stuffed toy animals, models), and similar works.
Human, Do You Think This Painting is the Work of a Real Artist?
Published in International Journal of Human–Computer Interaction, 2023
Jeongeun Park, Hyunmin Kang, Ha Young Kim
In summary, when people view an artwork, they appreciate it by integrating the perceptual elements of the work itself with their own memory and prior knowledge, and factors such as information and expertise on the work can affect art appreciation. With this in mind, it is important to identify the process that people adopt when distinguishing between real and fake artworks. The aforementioned model is not a process that occurs only when people perceive an artwork. Investigating various models that describe the human perceptual processing process, from perceiving simple lines and graphs to making decisions based on them, tells us that all perceptual elements and existing knowledge are combined and processed (Leder et al., 2004; Padilla et al., 2018; Pinker, 1990). Specifically, the processing of perceptual elements such as lines and shadows of the object itself and processing based on people’s existing knowledge and experience are intermingled. In terms of the information processing model, bottom-up processing and top-down processing occur simultaneously, while in terms of art appreciation, an artwork is evaluated by mixing low-level and high-level processing (Chiarella et al., 2022).